Description
If there’s one thing 1950s Hollywood taught us, it’s that the framing of an image is often as important as the content. Imagine Monroe without New York, James Dean without the suburbs. The Eamon barstool is a glowing example of design that is built with framing in mind, looking to not only draw our eye but hold our focus. Through a masterful sense of balance, both structurally and materially, this piece is a statement piece in any room, that gains its power from its subtlety. Lets start with the silhouette of the piece, the robust and ever-so-slightly diagonal structure formed by the base of the chair announces the piece into a room.
It draws our eye with its symmetry and its solid walnut tactile feel, along with the fine detailing of the polished-brass feet. However, upon close inspection the footrest reveals little, pleasurable visible tricks that show this surface simplicity disguises depth and further well-crafted delights. The we get to the chair, the backrest truly being a spectacle when it comes to framing. Slowly rising from the divided centre, the curves of the backrest reach up to comfort the viewer and the person seated alike, rising in vertical lines the great fountains of Las Vegas hotels.
Dimensions
Width: 55cm | 21.6 inches
Depth: 54cm | 21.2 inches
Height: 105cm | 41.3 inches
Seat Height: 85cm | 33.4 inches
